It’s not a big jump to assume that, like back in the 1950s, we’re all searching for hope. We’re in crisis and reports of anxiety and depression have skyrocketed as a result of the COVID-19 pandemic. While it feels a little ridiculous that we got two Cinderella adaptations in the same month, it’s not surprising. The 1950s were a time of recovery and audiences were eager for a good story of hope and prosperity –– “ Cinderella” gave them just what they needed. The widespread popularity of this film, and Cinderella in general, during the ‘ 50s is likely due to the Western world’s fascination with the idea of “rags to riches.” In general, people just love a good story of hardship that then leads to success, even when it comes to real-life celebrities. When “Cinderella” came out in 1950, it ushered Disney into the Silver Age and reestablished the company’s place as a major production company. Instead, this time was characterized by anthology films - movies like “The Three Caballeros” (1944) and “The Adventures of Ichabod and Mister Toad” (1949). During the Wartime Era (1943-49), there were less resources for film making, so Disney couldn’t produce feature-length films. There are seven distinct “eras” of Disney –– the Golden Age, the Wartime Era, the Silver Age, the Bronze Age, the Disney Renaissance, the Post-Renaissance and the Revival Era. In fact, the timing of its release might explain how Cinderella latched onto the public consciousness in the first place and why it has remained relevant for so long. Walt Disney Studios produced one of the most recognizable adaptations of Cinderella. Other Cinderella movies that fall into this pattern include the 1997 “Cinderella, ” starring Brandy, Hillary Duff’s “A Cinderella Story” from 2004, and the 1957 “Cinderella” starring Julie Andrews.
#Cinderella story movie#
When it comes to modern movie adaptations, there is an obvious pattern: t he films implement current cultural context like politics and popular music and they often cast a wildly – popular, female icon in the titular role.Ĭabello’s “Cinderella” fits into this pattern freakishly well. In September, there were two Cinderella adaptations - Cabello’s and a modernized stage musical in London. There are also countless modern versions. There are over 700 different written versions of Cinderella from all over the world. Perhaps it was just a bad case of deja vu, or, more likely, it was because Cinderella is one of the most culturally relevant fairytales of all time.Īudiences are obsessed with the fairytale.
To register for this trip or learn more, email the Education & Engagement office at or call our Virtual Field Trip hotline: 91.While I was watching the recent “Cinderella” film starring Camila Cabello, I couldn’t shake the feeling that this whole movie seemed eerily familiar. Learning Connections: Language Arts, History/Social Studies, Fine Arts, Social/Emotional Learning Development National Core Arts Standards: Th:Cr1.1k-6, Th:Cr1.2k-6, Th:Cr, Th:Re7.1k-6 NYS Learning Standards: The Arts 2, 3 ELA 1,2,3Ĭommon Core Standards: .3, .6, .3 This captivating bilingual one-woman performance is a modern spin on the beloved fairy tale and tackles cultural heritage, family, and the power of language. But to do that, she must learn to stand up for herself and take charge of her life and dreams. When she learns that the party’s special guest is (real-life) writer Gary Soto, Belinda wants desperately to attend the party and share her own writings with Soto. With these everyday items, a healthy dose of imagination, and a love of poetry passed down by her father, Belinda imagines a bigger world for herself… It’s a story within a story Belinda lives out her version while also re-enacting the classic tale of Cinderella, using whatever objects are at her disposal: napkins, teapots, and doilies, to name just a few. Ten-year-old Belinda is a budding poet and loves to tell stories, but when she’s stuck in the basement preparing for a party upstairs that her stepmother and stepsisters will host, she’ll have to get creative. Original musical composition by Ammon Taylor Written by Caroline Reck and Rupert Reyes
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